House Speaker John Boehner (R-Ohio) may now wield a gavel, but
that won’t get him very far in stopping the nation’s political
cartoonists from drawing him as a bright-orange chain-smoker who bursts
into tears at a moment’s notice.
Along with his newfound status as
the most powerful Republican in Washington, Boehner stands to become a
prime target for those who make a living caricaturing and cartooning the
nation’s politicians. The first challenge for those artists is to
introduce the new House Speaker to a population that may not know him
well. To do that, several political cartoonists say, they will rely on
the few qualities that have already stood out: his Technicolor tan,
perfect hair and free-flowing tears.
“The guy is barely known anywhere outside the Beltway,” says Mike
Lester, the staff cartoonist at the Rome News-Tribune in Rome, Ga.
Lester recently drew a cartoon of Boehner lying in a tanning bed, gavel
at his side, with the headline, “John Boehner sworn in as first Speaker
of color.”
Boehner’s likeness has popped up in major media outlets
since the November election — perhaps most notably with a full headshot
on the cover of Time magazine and in a New Yorker cover cartoon
fist-bumping President Obama — providing Americans their first chance
tobecome familiar with the leader’s physicality. But by and large,
Boehner has stayed out of the media since his party’s resounding
November victory.
The challenge, then, is for cartoonists to get
their readers to recognize a Boehner caricature in the reflexive way
they can identify a Sarah Palin or Obama caricature, many say.
Taylor
Jones, a syndicated cartoonist for Cagle Cartoons who also contributes
to Puerto Rico’s El Nuevo Dia newspaper and the Hoover Digest, has toned
down the orange hues of Boehner’s skin in his caricatures because he
says he’s not sure his readers are picking up on it (and also because he
has noticed Boehner growing paler over the last few months).
“I’ve
sort of made him less and less orange and have focused on the tears,”
says Jones, who estimates he’s drawn Boehner six or seven times up until
this year. (By contrast, he drew Obama between 70 and 100 times in
2010.)
“Even now, I’m not sure he’s sunk into the public
[consciousness],” he says.
The simplest solution is to give
Boehner a label, other cartoonists say.
“I think the trick
initially is for cartoonists to write, ‘Boehner’ on him,” says Steve
Kelley, the president of the Association of American Editorial
Cartoonists and the staff cartoonist at the New Orleans Times-Picayune.
He recognizes this initial problem, too; Kelly says, after racking his
brain, he can’t remember ever having drawn Boehner in the past.
Aside
from getting their readers to recognize Boehner, many cartoonists find
him relatively easy to draw. In addition to his tan and tears, he has
droopy eyes, a smoking habit and a bright collection of sweaters, likely
thanks to his love of golf, they say.
“Physically, he has this
cool, Bogart-like quality that contrasts wildly with his emotional
vulnerability,” says Chris Weyant, The Hill’s cartoonist. “In trying to
capture that, I’ll be focusing on the tears, the hang-dog eyes and the
tight, pursed mouth.”
Others will focus on his hair.
“It’s
so mannequin-like … I’ve never seen one strand come down,” says Mike
Peters, the longtime Dayton Daily News cartoonist and creator of the
“Mother Goose and Grimm” comic strip. Peters has been drawing Boehner
since he came to Congress in 1991.
Peters originally found
drawing Boehner difficult because he has “a very pleasant face.” He
compares the task to drawing President Reagan — another handsome
politician — whom Peters says he eventually nailed by focusing on
Reagan’s signature bouffant hair.
Steve Brodner, a freelance
cartoonist whose work appears in The New Yorker, Mother Jones and The
Atlantic magazines, says he has fun drawing Boehner because there’s much
more to him once you “scratch the surface.”
“I think that Boehner
really is a wonderful collection of contradictions,” he says, pointing
out the Speaker’s deep voice — as compared to his crying habit and his
“woman’s eyelashes.”
Several cartoonists say they will rely on the
orange tan and crocodile tears until the Speaker takes more defining
action in his new position.
“You can only go so far with the
crying and the skin tone,” Jones says. “I don’t mind kind of milking
that now, but afterwards I’ll be happy to try to come up with other
stuff about him as the news unfolds in the coming months.”
Ann
Telnaes, who draws animated cartoons for The Washington Post,
says she’s focused on Boehner’s personality.
“The key to drawing
any successful caricature is getting to know the person’s character and
their actions, rather than their features,” she said.
Whatever
Boehner looks like in cartoons now will likely be much different from
how he’s caricatured in a year or two, the artists say. They say their
depictions evolve over time.
“Cartoonists’ caricatures of
political figures change and develop over time as the subject and their
public image become more defined,” Weyant says.
That means that a
crying orange Boehner might be around only until the House Speaker gives
the country’s political cartoonists something else to zero in on.
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